Keynote Speaker, “Opera and its Discontents: Reflections Of/On the Canon,” Annual Symposium on Music Research, Jacobs School of Music, Indiana University, March 26, 2022.
Graduate Student Workshop, “Doing Meaningful Musicology with Canonic Opera,” Music Doctoral Program, Indiana University, March 25, 2022.
“Confronting Race and Gender in The Magic Flute,” invited panel for the AMS-Study Session of the Mozart Society of America, November 22, 2020. With: Micaela Baranello, Lily Kass, Adeline Mueller, Kira Thurman, and Jessica Waldoff.
“Fallacies of Context and Change: Why We Need Mozart Now More Than Ever,” Musicology Bytes series, Music Doctoral Program, the CUNY Graduate Center, February 19, 2021.
“Why We Need Mozart Now More Than Ever,” Graduate Seminar Series, University of Western Ontario, November 20, 2020.
“Listening to Dance: Stravinsky’s ‘Sonorous Magic’,” invited pre-concert lecture for 2021 performance of Stravinsky’s Ballets by Simon Rattle and the London Symphony, Lincoln Center Great Performers Series (postponed due to Covid).
“Historical Residue or Modern Practice? In Defense of the Dialogue for The Magic Flute,” presented on the Mozart Society of America’s panel—Mozart’s Magic Flute: in His Time and Ours, July 20, 2019, Mostly Mozart Festival, Lincoln Center, NY.
“Didacticism and Display in the Capriccio and Prelude for Violin, 1785-1840,” Conference on Musical Improvisation in the Age of Beethoven and ‘Open’ Forms, Fondazione Giorgio Cini, Isola di San Giorgio Maggiore, Venice, November 28, 2014
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