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Publications

“A Tribute to Pauline Viardot Marina Viotti, mezzo-soprano Les Talens Lyriques Christophe Rousset, conductor Aparté AP290, 2022 (1 CD: 78 minutes),” Nineteenth-Century Music Review, First View, pp. 1-6, invited, peer-reviewed review article, published online by Cambridge University Press, September 15, 2023 DOI: https://doi.org/10.1017/S1479409823000319

“The Dialogue as Indispensable,” in The Cambridge Companion to The Magic Flute, ed. Jessica Waldoff (Cambridge University Press, forthcoming 2023).

 “Before Romeo and Juliet, Paolo and Francesca were Literature’s Star-Crossed Lovers,” invited contribution to essay by John-Paul Heil, Smithsonian Magazine (Nov 3, 2021).

 “Historical Residue or Modern Practice?: In Defense of the Text for The Magic Flute,” The Newsletter of the Mozart Society of America 24/1 (Spring 2020): 7-11.

“Didacticism and Display in the Capriccio and Prelude for Violin, 1785-1840,” in Musical Improvisation and Open Forms in the Age of Beethoven, ed. Gianmario Borio and Angela Carone, London: Routledge, 2018.

Teaching Music—Collegiate Stages, Journal of the Music Educators National Conference:             “Charter Schools: Music Teachers,” XVI/5, Feb 2009. “To Teach Methods, Connect to the Community,” XV/3, Dec 2007.

“Tchaikovsky: Ballets,” in Reader’s Guide to Music: History, Theory and Criticism, Fitzroy Dearborn, 1999.

“The Elusive Fantasy: Genre, Program and Tchaikovsky’s Francesca da Rimini,” 19th-Century Music XXII/2 (Fall 1998): 169-189.           

“The Working Relationship between Elliott Carter and Bernard Greenhouse: Implications Regarding Issues of Text and Performance,” The Journal of the Society for Textual Scholarship 9 (Spring 1997): 315-325.