“Painting the Moor Green,” designer and chair of roundtable session, national meeting of the American Society for Eighteenth-Century Studies, April 9, 2021. With: Micaela Baranello, Lily Kass, Jessica Waldoff. Respondent: Imani Mosley.

“A Context for Gender Equivalence in Così fan tutte,” national meeting of the American Musicological Society, Boston, November 2, 2019.

“Fallacies of Context and Change: Why We Need Mozart’s Women Now More Than Ever,” for the panel The Long Shadow of Sexism: Reading the Eighteenth Century in (the) Light of #MeToo, 50^th-Anniversary meeting of the American Society for Eighteenth-Century Studies, Denver, CO, March 21, 2019.

“Women and Power in Mozart’s Operas,” Pedagogy Caucus on Teaching the Eighteenth Century: A Poster Session, American Society for Eighteenth-Century Studies, Denver, CO, March 20, 2019.

“Fear of Feminine Power: Hillary Clinton and the Queen of the Night,” meeting on Music and Politics, American Musicological Society—Greater New York Chapter, October 24, 2015.

“Source and Reception in Busoni’s Fantasia nach Bach,” Biennial meeting of the American Bach Society, Rutgers University, New Brunswick, NJ, April 16, 2004.

“Affinities between Busoni’s Music and the Native-American Sources for his Indian Fantasy,” Greater New York Chapter of the American Musicological Society, Barnard College, New York, NY, October 14, 2000.

“Our Others/Ourselves: The Fantasy and Tchaikovsky’s Francesca da Rimini,” Greater New York Chapter of the American Musicological Society, Hunter College, NYC, April 27, 1996.

“The Working Relationship between Elliott Carter and Bernard Greenhouse: Implications Regarding Issues of Text and Performance,” Seventh International Interdisciplinary Conference of the Society for Textual Scholarship, CUNY Graduate School, New York, NY, April 13, 1993. “Mendelssohn’s Operatic Disappointment: Die Hochzeit des Camacho,” Eleventh Annual Interdisciplinary Conference, Nassau Co